That Lonesome Song Overview
He could be basking in his songwriting accolades, but Jamey Johnson remains a restlessly creative maverick.
Jamey is the co-writer of the CMA and ACM 2007 Song of the Year "Give It Away," recorded by George Strait. Trace Adkins, George Jones and Joe Nichols have also recorded his songs. But instead of sitting at home counting his royalty checks, Jamey Johnson recorded more than 40 songs during the past year.
Not content with providing hits for others, the singer-songwriter has a powerful drive to sing, record and perform.
"Writing is not enough for me," says this intense artist. "I did not come here to just be a writer. I live to play....I'm not here to take a stab at it. I am going to DO it."
Following a deep period of isolation and introspection, Jamey Johnson entered the recording studio in April 2007. Within months, Jamey emerged with That Lonesome Song, a collection of extraordinary compositions that is equally noteworthy for its lyrical craftsmanship and its strikingly original sound.
The first single from the album is "In Color" and is available in the Amazon MP3 store.
That Lonesome Song Specifications
The final cut on That Lonesome Song—kind of a concept album meets musical manifesto—is titled "Between Jennings and Jones," which is where Jamey Johnson finds himself shelved in the CD racks, and also how he describes his sound. Actually, there's way more Jennings than Jones, with two cuts covered from Waylon's classic Dreaming My Dreams (the title track and "The Door Is Always Open"), another paying tribute to him by name ("The Last Cowboy") and several others borrowing liberally from his sound. Yet in terms of both concept and sound, the bare-bones intimacy of this bittersweet divorce album remind more of Willie Nelson's Phases and Stages (at least side one, the man's side), with the opening "High Cost of Living" ("ain’t nothing like the cost of living high") setting the "Bloody Mary Morning" tone, extended by the sad country waltz of "Angel" and continuing through the down-and-out epiphany of the title track. Only the comparatively lightweight novelty of "Women" indicates that this is the same guy who wrote "Honky Tonk Badonkadonk" for Trace Adkins. --Don McLeese
Customer Reviews
I loved country music for 60 years, and measured the 70 years since all the artists of Waylon. Only Jamie Johnson I felt it deserves a place of Waylon, and is made even better with clear reference to Jamie's unique style and writing songs for Waylon. If, like me, have hoped for a singer's talent and tradition to keep alive Jennings, Jamie came to our rescue. Do not get me wrong, Jamie's music is his, but his originality andPlay Waylon honesty, and I can pay no higher toll. Buy this album again and discover what may be the great country music.
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