Wednesday, March 31, 2010

BlakRoc







BlakRoc Overview


The brainchild of The Black Keys and Damon Dash, BlakRoc Records will release BlakRoc on 'Black Friday,' November 27, the day after Thanksgiving (to be dubbed 'Blak Friday' by the independent record stores that will sell the album). Produced by and featuring The Black Keys, BlakRoc also hosts a star-studded line up including Mos Def, Q-Tip, RZA, Ol' Dirty Bastard, Raekwon, Ludacris, Pharoahe Monch, Jim Jones, NOE, Nicole Wray and Billy Danze. Of the album, The Black Keys' Dan Auerbach said 'no samples were used on the record, it's all live instruments and live vocals.' For more information, please visit blakroc.com, where new content will be added every Friday until release.


Customer Reviews


The album is a classic, I was accidentally introduced the concept of Youtube, and I'm glad I took. Its real music in an organic way you can do, which I appreciate. I shot a dozen of my friends album, which also bought. Also led me to The Black Keys.


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Monday, March 29, 2010

Live







Live Overview


Ukulele master Jake Shimabukuro has taken the four-string, two-octave instrument to places no one has gone before, performing awesome music that ranges from Jazz, Blues and Rock to Bluegrass, Classical and Folk. His live concerts are an out-of-the-box blend of stunning virtuosity, deep musicality and a natural entertainer's flair. Jake now has his own record label, and tours extensively in the U.S. and Japan. He has completely rewritten the book on the possibilities of the ukulele -- and is adding new chapters with every CD he records.


Customer Reviews


I caught Jake Shimabukuro in Austin, recently, fresh from a tour with Jimmy Buffett TX. In the live performance was a miracle, his body fell to the ground and waving his fingers flew up and down the keyboard of his ukulele short so that the instrument sounds like a mandolin, flamenco guitar, a piano and various percussion tools. He was not only a player of Smokin 'Hot, though, but a musical style, with a charm in his casual asides to the audience, that I was the night, there wasenthusiastic.

Charisma Shimabukuro pass on this live album taken from various shows in different places, but very consistent in tone and atmosphere. His works include the entire range from the simple charm of the "Piano Forte" for the breathtaking virtuosity of "Let's Dance", and covers everything from Bach to the Beatles, a popular Japanese song "Sakura".

When pressed to the wall, I must admit that without him inMeat, a small sense of similarity creeps in some of his most personal. It is not surprising that one of the best tracks, and who shot him to fame, is a cover to make her beautiful and touching Harrison's "While My Guitar Gently Weeps." This is a very personal book, and should not discourage anyone from sampling the art of this very special music.


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Sunday, March 28, 2010

Hotel California







Hotel California Overview


Import pressing of their 1976 album Hotel California. Vinyl replica CD comes housed in a slipcase. Rhino UK. 2006.

Hotel California Specifications


It's no accident that The Eagles Greatest Hits might one day pass Michael Jackson's Thriller as the best-selling album of all time-- the Eagles made great singles. By contrast, their albums could be spotty and strained by self-conscious artistry. Hotel California was arguably the band's best single album--it was certainly the Eagles' biggest original disc-- and it also underscored the band's need to make a big statement. The title tune reflected the album's theme of paradise lost in California, painting this picture with a musical arrangement that punctuated strumming guitars with dramatic drums, and perhaps the band's most famous lyric: "You can check out any time you like, but you can never leave." "New Kid in Town" was an equally fine albeit much more traditional Eagles ballad. "Life in the Fast Lane" aspired to hard rock but largely gunned its engine without taking off. The rest is okay, but nothing more than secondary Eagles songs that happened to be nestled into the album that came to define the `70s supergroup. --John Milward

Customer Reviews


This line (from the song title of the album, so of course) more or less in the door. You can try to put down the music, but the fact remains that this music is important for any classic rock / Eagles collection. Has stood the test of time, the songwriting and musicianship are brilliant, and the music itself kicks alone!

The title track starts the album, and boy, what a kick! Go to "Take it Easy" is the only song better (), I believe that the Eagles ever recorded. Then get"The new kid in town", which is a fun song, followed by the hard rocking "Life In The Fast Lane". These are my three favorite songs from the album. The last song is "The Last Resort", a good way to end the album - makes us a sweet finish.

This is highly recommended. Enjoy!


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Saturday, March 27, 2010

Into the Woods (1987 Original Broadway Cast)







Into the Woods (1987 Original Broadway Cast) Overview


A Classic Stephen Sondheim Musical Available Now at a New Low Price!

Featuresbonus tracks, digitally remastered and new liner notes.

Into the Woods (1987 Original Broadway Cast) Specifications


As conceived by Stephen Sondheim and cocreator James Lapine (following their Pulitzer Prize-winning Sunday in the Park with George), Into the Woods tells the intricate tale of multiple fairy-tale characters crossing paths in the woods, not merely resolving the characters' dilemmas but also exploring what happens after happily ever after. Sondheim's chamber-scale music, recipient of the 1987 Tony for Best Score, is one of his most beautiful and accessible, and is at its most poignant in "No More," "No One Is Alone," and "Children Will Listen." The original Broadway cast is outstanding top to bottom, most notably Bernadette Peters as a rapping witch and Joanna Gleason, who won a Tony for Best Actress. The CD booklet includes production photos and--so important for a Sondheim show--full lyrics. Fortunately, this cast was also captured on video and DVD. --David Horiuchi

Customer Reviews


I was a fan of this music when I make a screening of the PBS is in the early 90s. The musical had an irreverent look, which we all more or less grown up fairy tale.
So I thought it was overshadowed by the successes of Les Miserables and Phantom.
The characters are lovable and voice are easy to follow.
My personal favorite recording is "Agony"


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Friday, March 26, 2010

Little Creatures







Little Creatures Overview


David Byrne & Co.'s follow up to the platinum selling "Speaking In Tongues" and the live "Stop Making Sense" albums offered their most pop oriented album ever. This edition includes the bonus track of a 12" version of "The Lady Don't Mind".

Little Creatures Specifications


Having spent the early '80s in a giddy expansion of the sound and scale of their studio recordings and concerts, Talking Heads come full circle with this 1985 album, retracting to the core quartet and restoring a focus on David Byrne's knotty songs. Arriving in the wake of the fevered rhythms of Speaking in Tongues and Stop Making Sense, Little Creatures's new material sounds freshly lyrical, remarkably concise, even subdued, but there's the usual whimsy--the levitating heroine of the jangling, punchy opener, "And She Was," the cracked child-rearing advice of "Stay Up Late," and the galloping, anthemic reminder that we're on the "Road to Nowhere." --Sam Sutherland

Customer Reviews


I had gone back and discovered the brilliance, Talking Heads is now forty years old and adults found that I may have been wrong on "Little Creatures", which actually was the first of their albums I bought as a new version In 1985 I had ignored the "Stop Making Sense", when it was in the standings and only the group for the year ahead. Funny story is that "Little Creatures" was released in the summer I was in a school exchange trip in Germany and the minute someonesaid it was the shops I went out and found a copy on cassette that I made.

At that time it was different, and were one of the band, followed by an artistic group of musicians in urban Angst of my master. At the time I thought it was a pretty cool, if unimaginative record & literally heard non-stop for a couple of weeks traveling throughout Europe. When I returned to the United States and the album for my friends I was a bit 'appalled to hear their views, to play, that theThe book was sold out, and below the waist, in the crush of the record soon fell into disgrace, while also quickly sold, more mainstream audience. But after hearing the great songs (the annoying "And She Was" and "Road To Nowhere ") proposed in college, bars that have sold to God, even if the music was still pretty decent.

Then came "True Stories" and it became clear that David Byrne Pop was gone, and the rest of the band had gone with him. Boo hoo. "Wild Wild Life"As the only success was the last straw, so to speak, and I more or less abandoned Talking Heads as a functional unit, to "Naked", with the time it was too late. Until 1989, the group had a tour of life, divided by all intents and purposes, and I never even see them live. The disappointment is still enormous.

One of the unfortunate consequences of this disappointment was that I was back on pop-Talking Heads-era - so far I have never owned a copy of "TrueAlbum Stories', though I liked the movie - and the victim was probably the largest "Little Creatures", which literally has not had too many, many years. Apart from the shocking 12-inch remix of "Lady Don 't Find Mind" (which later versions of British imports of the CD is to buy the recommended version) and the brilliant "Television Man", the audience has always been a of my favorite songs, Talking Heads, "Little Creatures" done my liver shrug. I put it aside and did my bestForgot to do it for more than 20 years, managing a good job.

This is due to hear, like a grown man, and because in hindsight be able to return to all Talking Heads career 'in 2008, now look after it and inducted into the Rock and Roll Hall of Fame (2004), is quite clear that "Little Creatures" has played an important if misunderstood - at least from me - the role in the development of an angular post-punk rock band in the ArtsPowerhouse, the music transcends mere cultural considerations, such as gender or economic attractiveness vs. aesthetics underground.

My opinion about the album now, 20 years later, is that it's actually a pretty decent disc that just happened to have a couple of songs very annoying. In particular, the opening "And she was" like an annoying pop single I've ever heard, and "Creatures Of Love", an ode to the country more regularly purchased, and manage the search for love on the proceduresat the same time, which is easily my choice for most Awful Talking Heads song ever. I even managed to "Road to Nowhere", and was a popular favorite, although I must say that there is something special is happening in the song ... Maybe a strong awareness that the band was both metaphorical and literal Road To Nowhere, and it was probably time for them to end their union. Hear it kind of sends a shiver down my back as a text by David Byrne is a way of sayingThe story of how it all came from crumbling.

Other titles, however, remains open genius: "Television Man", "Lady Do not Mind," the creepy "Walk It Town," tamed disarming "Perfect World" and "Stay Up Late" and "Give Me Back My Name, "the wonder as David Byrne, returns for his private life, with a pop culture seems to be a superstar. Come on, remember that tamed the entire album, and also cuts annoying (and the setting lyrical Byrne was) For the love of his life, the designer Adelle Lutz costumes are actually quite audible over all the crap I have taken into account in record stores for ten years. "Little Creatures" is not the strongest hours Talking Heads', but weak, Talking Heads, is better than 99.9% of the punk / rock / pop music ever composed, so that you can do much worse. It is hard not to like a big hall and I can easily recommend to anyone who has an interest.

One problem that I have a lot of people seecommented in relation to the Talking Heads tried a CD of "first choice" recommendation for young listeners who love to discover what turns the confusion is everything with this band. Although it was a commercial success, I would not vote "Little Creatures", but a nod in the direction of one of their first minimalist masterpiece "More Songs About Buildings and Food", or making critical focus, "Speaking In Tongues" that really broke open the doors for them. "Little Creatures" is probably laterOnce you've got to be used as, David Byrne and are comfortable with the sound of the band. Until then, you will find a better feel for why it is disappointing that the fans when compared to what has happened, though now 20 years on the road again, he sounds good.

4 / 5


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