Saturday, March 6, 2010

Genius Loves Company







Genius Loves Company Overview


DVD is NTSC format, region code 2

Genius Loves Company Specifications


The fact that Genius Loves Company will be Ray Charles's final new album inspires an unavoidable blue feeling. But it's also a happy reminder that the man spent the last months of his life at work doing what he loved. The overall effect of these dozen duets is autumnal and smooth. Brother Ray is on point and cruising here. Fine moments abound--you can hear his delight even in the rather stiff company of Diana Krall and Natalie Cole. His voice sounds a bit frayed by ill health at times, but it also allows for great performances like the slyness behind the ache in his version of the old soul hit "Hey Girl" with Michael McDonald and a grand "Crazy Love" with Van Morrison. Potently, he and Gladys Knight remind us of the continued timeliness of Stevie Wonder's "Heaven Help Us All." Its best moments make Company one more essential purchase for Ray Charles fans. --Rickey Wright

Customer Reviews


Ray's voice is very small, and Fraile, but remember the man who was 74 (seventy-four) years! There is no let-me-get-on-the phone-and-play-this-for one-to-play songs here. "Here We Go Again" with Norah Jones was the cut that many of the Grammy Awards, won ... How? ... We'll never know (they say games against the version "original" of 1967, and then me, that sounds a lot better?). A total of 14 (fourteen) won a Grammy Award for the album! I truly believe that thiswas awarded the Grammy voters, and say all the other easy-to-RAY CHARLES, THANKS TO GIVE U.S. MORE THAN 50 YEARS OF HISTORY Performing shots!

Album highlights: "Hey Girl" with Michael McDonald, "Over The Rainbow" with Johnny Mathis, was conducted during the separation of the body believed Ray during his television address Homegoing Service ... That should tell you how great this song!, Is "Crazy Love" by Van Morrison. That was a nice way of a long career in this field that we call music. NowThe story does not end here ... Rhino / Atlantic commuter traffic released an album of duets recorded in 1997-1998 under the title "Genuis And Friends," which is an album best, but because of Rhino tries to cash in "Genius Loves Company," is was met with so-so reviews, lackluster sales and Light airplay, but it's worth it in your collection. In 2005, there was a box set that, in all his recordings Atlantic Records (1952-1959). There was a lot of surprises, because if Ray signed with ABC RecordsEnd of 1959, Atlantic was grab almost everything in the cellars and releasing albums and singles, so there are no big surprises on the box set. If I save enough $ $ $, it seems to me a copy (and make sure not ... Stay tuned!).

End of 1959, Ray signed with ABC Records, who have complete control over his recordings. That idea, that he (Ray) done with them (ABC), would give birth to Gren, so that the early years (1959-1964) who had several singles that never managed toAlbum (Not that they were bad, were not exactly easy for the exit of the disc included). What you see are still at least 12 (twelve) from the moment the light on compact disc! And another 12 (twelve) or more, 1965-1973. In 1965, Ray opened his studio RPMs and the core of his shots were there until his death in June 0f 2004 Ray will remain with ABC Records, for a total of 14 years! So you can imagine how many unreleased recordings, sitting in the basement? AndThis is only the ABC years (1959-1973). In 1974, Ray formed Crossover Records and released several independent albums ... They have a contract with Atlantic Records (with its imprint Records crossover). So, in short, there is a wealth of unreleased recordings! I hope that some record company makes us happy, a day before ... The only thing we can do now is hope.




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Friday, March 5, 2010

Transformer







Transformer Overview


No Description Available
No Track Information Available
Media Type: CD
Artist: REED,LOU
Title: TRANSFORMER
Street Release Date: 10/22/2002
Domestic
Genre: ROCK/POP

Transformer Specifications


This sophomore release by the Velvet Underground cofounder has long been hailed as one of the key touchstones of the punk and alternative eras that followed it. Reinforcing the literary adage to "write what you know," Reed paints an alternately detached/debauched portrait of the drag-and-drugs-infused underground of Warhol's New York, a place, time, and mindset so compelling it has largely overshadowed the rest of the singer-songwriter's mercurial career. That the album would also give Reed an unlikely Top 20 pop hit via the teasing, twisted sexuality of "Walk on the Wild Side" is but one of its deep, rewarding ironies. Indeed, as produced by David Bowie and guitarist and cohort Mick Ronson at the height of their own Ziggy Stardust fame, Reed's songs are cast in a seductive cabaret setting that's more Jacques Brel than Lower East Side. This 30th-anniversary edition features two unreleased acoustic demos ("Hangin' 'Round," "Perfect Day"), a vintage radio spot by announcer and word-jazz cult fave Ken Nordine, and a new illustrated booklet and perceptive essay by Michael Hill. --Jerry McCulley

Customer Reviews


Lester Bangs and Cameron Crowe makes natch, they discuss, what else, Lou Reed.

"Goodnight Ladies" (only 2, maybe Yoko's "We're All Water" as a song of the decade '() 70) Tom Waits invented in New York minutes, so there. Transdressers, alcoholics, jus good cokewhores 'people. Sandy, my best friend ever. But it's May 12th, and I remember my 1st marriage, 29 years ago, too bad my husband died in a motorway fireball 5 years ago. What else? Good . Lou Reed was my Carpenters "B-side to again during the day, as she did. N. old ladies who never grow old ladies, just ask Blanche DuBois. From the way my TV dinner is almost ready.

In the meantime, I'm almost 10 at the time (1970) are and are at the heart of St. Louis Crestwood with my parents. There's a store called "size 6". What is the "size 6," I ask. My father says, "is the cute, young girls dress size. And I think, "Wow, how nice. This is what I want." Careful, however, Neverless. So you see, was size 6 (my size, babe) has always been myHeart, a magic number that is why the diet so without fear. From the way my TV dinner is almost ready. I was reminded of this issue for decades, it took decades to get it. I deserved it.

12. Power. Sorry, Carrie, it was. The house honeymoon approach, an abandoned farm in the forest, where we all have high, for a brilliant metaphor, cobwebs and rusty cans, pure funk, cut in a classic Stones hits, hitchhiking foolish, fearless we have "it" to outside NY HojoBefore the police arrived and we drove away, poor skanky coffee and pancakes. And she turned tricks. Of course, every time I asked why she wanted to do. Processor. I bet you knew all the time.


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Thursday, March 4, 2010

Hello Hurricane







Hello Hurricane Overview


Switchfoot is an alternative rock band from San Diego, CA. They are known for their energetic live shows, the three guitarists in the line-up often operate simultaneously, building on the pop sensibilities of Foreman's songwriting, rounded out by Fontamillas's work on the synthesizer, bringing his industrial roots to the sound, the band works up 'the Switchfoot sound'- a melodic crunch of densely layered sound featuring some electronic experimentation, and often driven by hard-charging guitar riffs, while throwing in a few softer ballads as well.


Customer Reviews


As a big fan of Switchfoot, I had high expectations Hello, when the hurricane was published '. Almost 3 months later, I can safely say that not to disappoint the album. In fact, it reveals Switchfoot, who can master all kinds of styles, from heartbreaking ballads, as always, and still insist on pumping songs like Bullet Soul and the measurement of me, everything in between. Listen still almost 3 months after its publication (with a lot of heavy), this disc has not yet got old. In fact, the songsI'm not mad at first as Enough To Let Me Go really grown on me. Other songs just seemed to keep better as the epic poem, free ride. I still can not even choose a favorite song on this album, all of high quality.

Even if you're not a Switchfoot fan or not listening to them after the disappointment pretty, or you're just curious and looking for new music this album is a must for your music collection to have. This is a completely new sound for a pre --amazing band, and not disappoint you.


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Wednesday, March 3, 2010

Live at Luther College







Live at Luther College Overview


Unplugged and set apart from his bandmates, Dave Matthews is transformed from a fusion rocker to something of a fusion folkie. Indeed, this two-disc, two-man concert recording (cut in Iowa in the winter of 1996 and shelved for nearly three years) posits the South African-born bandleader less as a Blues Traveler fellow traveler than a dexterous, jazz-inflected minstrel in the tradition of Tim and Jeff Buckley, Terry Callier, and Ellen McIlwaine. As with those considerably less-successful performers, multiplatinum Matthews is enticed to soar ever higher by his considerable vocal prowess. Ultimately, Matthews takes his tunes in dizzying directions because he can! All those exhibitions of elasticity have earned Matthews disdain in less-is-more circles. Here, however, more than ably complemented by frequent DMB guest and fellow Charlottesville, Virginia, denizen Tim Reynolds, Matthews virtually bursts through 23 tunes that leave his audience wanting more. They needn't worry: even his worst critics wouldn't accuse Matthews of being stingy when it comes to music. --Steven Stolder


Customer Reviews


DMB is known to see a jam band and live DMB understand their mass appeal. Live at Luther College is just Dave and Tim Reynolds, is an honorary member of the band. The congestion will be cut and the music is stripped down to its essence. This is an old CD so that songs from what are now the pieces are classic DMB. Last DMB Live CD focus on the latest music so that only one possibility, the classics in a way that you feel probably will never play that way.


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Tuesday, March 2, 2010

The Ballad of John Henry







The Ballad of John Henry Overview


2009 release, the seventh studio album from renowned American Blues guitarist Joe Bonamassa. Produced by Kevin Shirley (Led Zeppelin, Aerosmith, The Black Crowes) the album sees Bonamassa deliver another collection of rocking Blues workouts. Featuring six original tracks penned by Bonamassa himself, he also takes on six covers, including Tom Waits' 'Jockey Full Of Bourbon', Sam Brown's 'Stop' and the Newley/Bricusse penned classic 'Feelin' Good'.


Customer Reviews


Joe is a brilliant album from voice, guitar and working all the way through. As a life-long music lover and guitarist, some of the best I have heard of Jimmy Page, Eric Clapton, Stevie Ray, Jimmy and Hendix a long list of others. I think it is fair to say that Joe Bonamassa on the list of the guitar is the size. Ablum this is worth buying for any rock / blues fans Bonamssa. I think it's not quite right, this album compared to the other Joe, as I think each album as a painting gives us a visionthe artist's life. Joe Bonamassa is the great blues guitar playing of his generation. Consultation with the Les Paul has played guitar and shouted something that I have not heard from Jimmy Page. I'll see to make Joe play live. Buy the album and enjoy.


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